‘Battle for Big Blue’ aims to raise awareness for RAW for the Oceans. In a digitised world where “play and understand” now beats “show and tell”, ‘Battle for Big Blue’s playful impression of ocean cleanups brings the cause closer to players and thinkers whose participation is crucial to saving our oceans.
“Now we have something that people can play. It just puts it in their mind to consider the ocean. You don’t play a game and ever throw a bottle in the ocean again. And everyone can have it and share it.” – Pharrell Williams, Creative Director Bionic Yarn
The game sees players travel across the world’s five oceans collecting plastic and dodging dangers while giving some serious insights into the severity of the problem we face. Co-designer of the RAW for the Oceans collection Pharrell Williams, created the sounds, with the game’s additional features including playing against Pharrell himself or challenging friends.
Now in its third season, RAW for the Oceans (a partnership between G-Star, Bionic Yarn, and Parley for the Oceans) has transformed over 2 million single use plastic containers recovered from ocean coastlines into high quality denim jeans, jackets, and ultra soft tee’s and sweats.
Think you can beat Pharrell?
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The brand has taken full control of the design process. Experience, education, and technique have all been refined to the point where garments are constructed as works of art that tell stories.
Stone Island released new images featuring Latin Grammy Award-winning artist and songwriter Feid wearing a standout piece from the SS26 collection as part of the brand’s “Community as a Form of Research” project.
Titled “secondskin”, the exhibition unfolds like a tactile conversation between body, material, and space, where surfaces don’t just exist, they speak.
This marks the second fight night kit collaboration for Benn from the two brands, following his victorious fight against Chris Eubank Jnr. in November.
Camiel Fortgens has released its SS26 “Research” collection, featuring garments developed from archival pieces that have been deconstructed and reassembled into new forms.
With a journey of self-discovery ahead, Guille Toledano turns inward, navigating doubt, instinct and vulnerability as he begins to define himself beyond the spotlight.
Pull&Bear presents a tribute collection to Camarón, from archive references, flamenco mythology and youth culture, then filters everything through a modern streetwear lens.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
