The Nigerian artist is already known for his projects such as WEKAFORE, a brand that explores the reinterpretation of African urban style before Americanization where he mixes subtle feminine fabrics and elements in comfortable clothes ready to wear for men; the music band EGO SEX, in which he mixes primitive sounds and futuristic arrangements and explores themes that go from spirituality and modern love affairs to politics, with guitarist Hugo and percussionist Lluis; and VOODOO CLUB, parties celebrated in Barcelona where African music take center stage. These parties have turned into a cultural movement and have become a reference on the Barcelona musical and night scene.
This time, he went further with its projects, creating a record label: VOODOO MUSIC, with the aim of incorporating more coloured Spanish artists into our screens and playlists. At the end of October ‘Negro Con Estilo’ was released on the Voodoo Music Online Youtube channel. The music video already has more than 213k views now!
This was the first contribution to Voodoo Music’s catalog. A month later, Spirit Disco joins Danny T & The Tradesman, UK dub and reggae specialists, and surprises us with his first solo album: Disco Duro EP. In which investigates his most recognized and underground inspirations from the dancehall of the nineties and explores early Jamaican and Nigerian dancehall from the scope of a contemporary artist. A six-track EP in which Weka gives himself the opportunity to address themes he had not previously talked out loud about freely, and collaborates with artists as Dizzy, Jimmy Bones and Oseka.
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
