Songzio’s Spring/Summer 2026 collection, Polyptych, is a study in contrasts, where garments are not just worn but become fragments of history reassembled into something entirely new. Like a multi-paneled painting, the collection only makes full sense when seen as a whole. Each piece is a collision of ideas, where traditional Korean hanbok and Western armor are sliced apart and stitched back together, not to erase their origins but to push them forward.

The silhouettes defy expectation with volumes that swell and retreat, playing with negative space, not as emptiness, but as presence. The clothes don’t cling to the body; they transform it. A sleeve drifts like a ghost, a hem juts out at an angle, and seams are left exposed like scars. The effect is sculptural, as if the wearer is both rooted in tradition and floating toward the future.

Movement is key. Bias cuts and cascading panels make the garments fluid, almost alive. Fabrics clash and harmonize with rough linen against holographic vinyl, matte earth tones against glitching metallic yellows. The materials themselves tell a story: organic textures meet futuristic sheens, blurring the line between past and tomorrow.

The collection is a rebellion against static culture, where nothing is fixed, only constantly evolving. Songzio’s vision isn’t about nostalgia or pure futurism, but the tension between the two.

Check out below the collection presented during Paris Fashion Week: