Mainstream economic theory teaches us that capitalism is an economic system which incentivizes people to use their energies, resources and talents in the most efficient and socially beneficial ways possible. World Wide Scrotes, and the Scrote’n’Tote are perfect examples of this theory in action.
Daniel Bitton wearing the Scrote’n’Tote
Last year this photo of Daniel Bitton wearing the Scrote’n’Tote went viral. Since then, thousands of requests to acquire this life changing product have poured in. As a result, out of a sense of profound humanitarianism, Daniel and several friends have had to interrupt their lives in order to fully dedicate them to the production of lifelike, hideous, giant scrotum backpacks.
Great job, capitalism!
Although the video may suggest otherwise, this is an actual and legitimate project. The aim of this campaign is to produce sturdy, functional, durable, high quality and of course stylish Scrote’n’Tote backpacks to be made available to aesthetes all over the world.
The funding goal of $33,000 will cover the cost of producing the mold for the skin textured part of the bag, which is the biggest pre-production expense. The money also covers various smaller research costs including testing out different materials, different methods for attaching the skin part to the backpack part, producing various prototypes, quality tests, trying out different production facilities in different locations to see who can make the best product, etc.
The Scrote’n’Tote prototype you see in the images was produced by hand by special effects prosthetics artist C.J. Goldman and is too heavy and delicate to be used as a proper backpack, on top of costing almost $1000 to produce per bag, which is why they can’t use that method or materials. Once they’ve produced something functional and sturdy that looks as close to the original as possible, they’ll sell the Scrote’n’Totes online for $120 USD each, plus shipping.
However, everyone who donated $10 will be entitled to buy one for only $69 plus shipping, as well as getting the satisfaction of knowing that they helped bring the gift of scrotes into the world. There’s also the option to put the whole $69 down right away which saves you the extra $10.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.