Anthony Vaccarello continues to redefine Saint Laurent’s visual language, this time through the unflinching eye of British photographer Martin Parr. Their latest project, An Ordinary Day, takes the familiar and twists it into something quietly surreal.
Parr’s signature style (hyper-saturated colors, flash-lit details, and a knack for capturing the awkward poetry of daily life) aligns perfectly with Vaccarello’s Saint Laurent. The result is a series of images that feel at once nostalgic and slightly off-kilter.
There’s humor here, but also something darker, a subtle tension between the perfection of Saint Laurent’s clothes and the messy reality of how people actually live. Vaccarello seems to ask: What does luxury look like when stripped of its usual glamour?
Parr’s work has always exposed the strangeness lurking beneath routine, and An Ordinary Day does the same. It’s about the odd, unscripted moments where fashion collides with real life.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
