Anthony Vaccarello’s Saint Laurent menswear show for Summer 2026 is quiet but deliberate. It is about light, presence, and the space between things. Set in the Bourse de Commerce in Paris, the collection exists in a moment between places (part Paris, part Fire Island), where escape and elegance meet.
The inspiration is subtle. It pays tribute to artists who gave shape to desire, names like Stanton, Angus, and Ellis. And to Yves Saint Laurent himself, who in 1974 stepped away only to return with something new. Vaccarello does not look back in nostalgia. He moves forward.
The setting matches the mood. Instead of nighttime drama, the show unfolds in clear afternoon light. No filters, no artificial glow, just simplicity. The clothes follow. Silhouettes are precise but never heavy. Waists taper, shoulders extend, yet everything feels effortless. Fabrics like silk and nylon drift over the body. Colors are soft: sand, salt, pale ochre, dry moss, pool blue. Nothing shouts. Everything lingers.
At the center is clinamen, an installation by Céleste Boursier-Mougenot, a pool where porcelain bowls float, touch, and create their own quiet music. The clothes move the same way: natural, unhurried. Shorts echo those once worn by a young Yves, but this is not a reference. It is a return.
1974 was a pause. 2026 is what comes after. Not tribute, not memory, but a line that continues. The models do not perform. They simply are. And in that quiet presence, there is sensuality without show, elegance without need for words.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
