Cream Soda — are a pop-trio hailing from Russia responsible for one of the greatest Russian tracks of 2019 ‘Никаких больше вечеринок’ and the isolation hymn ‘Плачу на техно’. The project has been highly praised by the local press calling it one of the most interesting contemporary projects in Russia.
‘Меланхолия’ (Melancholy) — their new music video, was entirely generated by the artificial neural network. This experiment was created having in mind not only the Russian scene but also the international market. The Cream Soda musicians were among the first to succeed in creating a music video in collaboration with AI: the digital painter – as Anya, Dima and Ilya metaphorically call the neural network – transformed the track’s lyrics into visual imagery.
“The artificial intelligence analyzed our lyrics and transformed each sentence into a canvas. We thought this to be so fresh and incredible that we decided to make a music video out of it. This was our way to demonstrate how technologies are influencing contemporary culture’” – said the artists.
According to Cream Soda even though the video has been created based on a structured mathematical theory, what happens inside the system after the launch still remains a mystery even to its creators. Today we can see the difficulties that the A.I. encounters while trying to understand the man, but at the same time we understand the potential of this technology and it’s extremely interesting to observe its evolution.
The collection revisits some of the brand’s earliest and most emblematic pieces. It is a tribute to the two pillars of their identity: Exclusive and Inclusive.
Weaving (literally) together activism, design, and queer culture, Grindr partnered with Rainbow Wool to present I Wool Survive on the runway in New York.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
