Cream Soda — are a pop-trio hailing from Russia responsible for one of the greatest Russian tracks of 2019 ‘Никаких больше вечеринок’ and the isolation hymn ‘Плачу на техно’. The project has been highly praised by the local press calling it one of the most interesting contemporary projects in Russia.
‘Меланхолия’ (Melancholy) — their new music video, was entirely generated by the artificial neural network. This experiment was created having in mind not only the Russian scene but also the international market. The Cream Soda musicians were among the first to succeed in creating a music video in collaboration with AI: the digital painter – as Anya, Dima and Ilya metaphorically call the neural network – transformed the track’s lyrics into visual imagery.
“The artificial intelligence analyzed our lyrics and transformed each sentence into a canvas. We thought this to be so fresh and incredible that we decided to make a music video out of it. This was our way to demonstrate how technologies are influencing contemporary culture’” – said the artists.
According to Cream Soda even though the video has been created based on a structured mathematical theory, what happens inside the system after the launch still remains a mystery even to its creators. Today we can see the difficulties that the A.I. encounters while trying to understand the man, but at the same time we understand the potential of this technology and it’s extremely interesting to observe its evolution.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Cult Korean menswear brand THUG CLUB teamed up with designer IZZY DU for an unforgettable dinner and afterparty at the mythical Lapérouse during Paris Fashion Week.
Jonathan Anderson has always treated fashion like a carefully assembled collection, mixing the unexpected, trusting his instincts, and binding it all together with a strong point of view.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
