ROSALÍA’s new single, “Berghain,” is the first glimpse of her upcoming album LUX (out on November 7), and it immediately establishes a new scale for her work. This is not a pop song built for charts, but a sweeping piece of opera, a journey that demands a different kind of listening.
The track moves through three languages (German, Spanish, and English) as fluidly as it moves between emotions. It builds from a state of quiet reflection into a vast, cinematic force. The intimacy of her voice is framed by the grandeur of the London Symphony Orchestra, creating a world that feels both deeply personal and limitless.
The music video was directed by Nicolás Méndez, who has worked with ROSALÍA on videos for songs like “Malamente.” Filmed in Warsaw, it follows a woman processing grief and a broken heart. The story shows her ultimately finding solace and healing through her own spirituality.
The album LUX was executive produced by ROSALÍA and recorded with the London Symphony Orchestra. It includes features from Björk, Carminho, and Yves Tumor, among others. The physical CD and vinyl releases will include three exclusive tracks, offering a more immersive experience of the album.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
