Marius Lauber AKA Roosevelt released his highly anticipated self-titled debut album via Greco-Roman / City Slang records last year, showcasing Lauber as a fully developed recording artist, with an instinctive synthesis of different soundscapes. From a pinch of French electro pop, a smattering of LA yacht rock, the hypnotic repetition of German pioneers like Ash Ra Tempel/Manuel Göttsching, and Neu!, to classic floor-friendly 80s pop from Chic, Talk Talk, and New Order, influences spanned continents and decades. Nu school figureheads like Todd Terje and Metro Area are also partially audible – all weaved into his own unique sonic tapestry.
Fast forward 6 months, and with his critically acclaimed debut still fizzing beneath the surface, Lauber has no intention of resting on his laurels. ‘Moving On’ is a smooth, groove-ridden slice of Balearic new wave about recovering from what that partner took with them along with their departure. Since release the track has become a live favourite, which is why it’s now being released as a stand-alone single. Video director Hector Pratsreflects on it’s accompanying visual, “It’s about how we deal with something that we believed was true, but from one day to the other, looks like never happened.” Also, yes, it happens in a weird amusement park ride.
Roosevelt is on tour with Glass Animals for the next 2 weeks before setting off on his own European tour in late March and through April. He then heads stateside for a brief run before crossing the pond again for festival season.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.