Rick Owens Spring/Summer 2025
by Anna Barr
“LAST SEASON’S COLLECTION WAS NAMED ‘PORTERVILLE’ AFTER THE SMALL JUDGEMENTAL TOWN I HAD TO ESCAPE FROM. THIS SEASON’S COLLECTION IS NAMED ‘HOLLYWOOD’ AFTER THE BOULEVARD OF VICE I GLEEFULLY RAN TO… TO FIND MY PEOPLE… WEIRDOS AND FREAKS… LIVING IN A WORLD LOU REED DESCRIBED IN ‘WALK ON THE WILD SIDE’… I WAS LOOKING FOR THE FLAMING CREATURES I HAD SEEN FILMED BY JACK SMITH AND KENNETH ANGER… AND I ALWAYS REFERENCE THE LOST HOLLYWOOD OF PRE-CODE BLACK AND WHITE BIBLICAL EPICS, MIXING ART DECO, LURID SIN AND REDEEMING MORALITY. MY PERSONAL PETER BERLINS WEAR THRASHED GYM SHORTS AND CHIFFON CAPES WITH JUMBO GEOBASKETS THE SIZE OF SPACE BOOTS.”
At first glance at Rick Owens Spring/Summer 2025 collection, it could look like a cult, an army of love in white satin, eradicated of any dark hues. Even under gauze-like knitted masks, gold semi-circle-shaped headdresses, and nun-like biker hoods, I have never seen such a wide array of individuals walk a show before. It was a powerful reminder that at our core, each one of us is unique and possesses an unrepeatable beauty. We can’t escape who we are, we must embrace it. In the show notes, Rick had another point that made me reflect on my first impressions. “EXPRESSING OUR INDIVIDUALITY IS GREAT BUT SOMETIMES EXPRESSING OUR UNITY AND RELIANCE ON EACH OTHER IS A GOOD THING TO REMEMBER TOO… ESPECIALLY IN THE FACE OF THE PEAK INTOLERANCE WE ARE EXPERIENCING IN THE WORLD RIGHT NOW…”
As fashion school students, faculty, and friends from all genders walked the grand staircase with clouds of smoke, emotions in the open air at the Palais de Tokyo were deepened with Beethoven Symphony No.7 in A Major mixed by Jeff Judd, a piece known for the sense of sorrow was being walked with an overwhelming amount of shared love. A gymnast bouquet composed of the women carrying women in his Cyclops show 9 years ago, a reminder of how we must carry and trust each other to go forward.
Owens emphasized the ethical choices made in the creation of this new collection: denim is handled in an Italian wash house that consumes less water, materials are vegetable-tanned, and organic silk is GOTS certified. All admirable attempts to reduce the collection’s environmental imprint.
Check out the collection below:
BLUEMARBLE Spring/Summer 2025
Junya Watanabe Spring/Summer 2025
Aniele Stroz’s INSOMNIA collection finds its rhythm in the deep quiet of the night. It draws from those long, awake hours where thought takes over and the world feels different.
Some designs are more than just accessories. They are part of a story. The Saddle bag is one of those icons.
PUMA and New York-based designer Danielle Guizio are back with a new collection for 2025.
Take a look at Who Decides War Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
Nike and Air Afrique, a creative collective from Paris, have created a new shoe. It is called the Air Max RK61.
Salomon’s new Road Trip capsule looks both ways. It draws from the brand’s own history while making sure every detail is suited for the present.
MM6 Maison Margiela has partnered with Agnelle, a French glove maker with a history stretching back to 1937.
COMME des GARÇONS Homme Plus and Nike introduce a new collaborative sneaker, the Air Rejuven8.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Smith will lead the creation of four collections each year, covering men’s shoes, leather goods, and accessories.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Setchu Perfume is a collection of five fragrances, each continuing the brand’s search for balance, joy, and strength.
Deep in the hills of Abruzzo, at a place called Villaggio Cirulli, a simple but powerful idea took shape: no one is just a number.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
FANG NYC made its New York Fashion Week debut with a Spring/Summer 2026 collection that drew a clear line from the past to a specific future.
Valentino Garavani and Vans unveiled the campaign images for its new collaboration.
ECKHAUS LATTA unveiled its Spring/Summer 2026 collection during New York Fashion Week.
Ami Paris has unveiled a new staple for the wardrobe: the Mirage sneaker.
Peter Demas photographed by Chris Fucile, in exclusive for Fucking Young! Online.
In an age of digital noise, there’s something powerful about work made by hand. Artist Sal Salandra understands this.
LeBlancStudios presents its Spring/Summer 2026 collection, “Museum of Common Oddities.”
Drawing from the energy of Tokyo’s streetwear, the collection captures the creative pulse of Shibuya.
Dsquared2 and Ducati have joined forces for the first time. The reason is a machine: the new Ducati XDiavel V4 motorcycle.
A shoe should feel good from the first step. That’s the idea behind Camper’s new unisex sneaker, the Karst 2.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Photographed by Juergen Teller and styled by Jodie Barnes, the campaign features models Alex Consani and Leon Dame.
The message is an invitation. It’s a call to “cum” together, to join what they playfully term the “Carne Cummunity.”
SOLID HOMME applies its own clean, specific point of view to the iconic MA-1 flight jacket from Alpha Industries.
Balenciaga just unveiled a collection of ten fragrances. This launch moves beyond traditional perfumery, built instead on fusion and tension.
Dior has unveiled a new bag for the Winter 2025-2026 collection: the Dior Slider hobo.
