The Oakley Factory Team returns for Fall/Winter 2025 with a collection focused on technical experimentation. The line includes new colors for the Ibex and Flesh Warp footwear models, alongside collaborative eyewear. This season continues the exploration of Oakley’s innovative legacy through Brain Dead’s neo-futuristic perspective.
The Ibex shoe is available in “Coffee” and “Burnt Red.” It combines synthetic suede with a flow-molded construction for a precise fit. Mesh windows provide ventilation, and an O-Grip outsole ensures traction. The Flesh Warp shoe, an evolution of a model from the 2000s, features an asymmetrical lacing system. It comes in full-grain leather and textured suede versions.
The eyewear collection combines Oakley’s performance history with Brain Dead’s surrealist style. The Plantaris frame is inspired by organic growth, with a double-temple design that reveals a titanium core. The Straight Jacket 99, an icon from 1999, is reissued in an exclusive X-Silver colorway with a sculpted frame.
Both the footwear and eyewear share a mission to reimagine performance by blending archival designs with new technical ideas. The collection is available globally.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
