In the history of the Air Jordan lineage, there’s always been a balance between innovation and style.
For instance, the Air Jordan II is as famous for its sophisticated Italian look as it is for its innovative sole unit. The lightweight nubuck and mesh-filled cutouts of the IV displayed swagger, but were chosen more for inherent performance benefit. And the decision to use a patent-leather upper for the XI was a first choice as much for the material’s resiliency as it was for its suit-ready vibe. The list goes on, through the all-new Air Jordan XXXII, a shoe inspired by the essence of the Air Jordan II, but filled with its fair share of more-than-meets-the-eye tech.
While the Air Jordan II’s luxury leathers, textures and shaping most evidently express craft, what’s underfoot best explains the shoe’s true place in the Jordan evolution. At the time, the sole unit, which relies on a direct-injection PU, required Italian ingenuity — and subsequently brought NIKE, Inc. a step forward in footwear design and engineering. Similarly, the Air Jordan XXXII benefits from a deep Nike mastery in proprietary knits for the first-of-its-kind Flyknit upper with high-tenacity yarn.
“With Jordan shoes, we obsess the style in a way that puts many of the performance elements under the hood, so to speak,” explains the XXXII’s designer, Tate Kuerbis. “For example, I wanted to make the laces just disappear into the knit structure, but inside there is a whole harness system with webbing that really locks down your foot.”
Formed with high-tenacity yarns, the Air Jordan XXXII’s Flyknit upper propels a new level of performance and comfort for on-court shoes. More flexible than any previous Jordan upper, the XXXII’s knit structure reduces stiffness at the forefoot and modernizes the moccasin-like toe box of the Jordan II. The digital craft of the knit is balanced by a more traditional application of a molded leather or suede at the heel counter — a feature that underscores a level of sport luxury that’s been tied to Jordan DNA since the II.
For the first time, the Air Jordan XXXII will launch globally in a mid and low version.
On the fourth floor of a small flat in the heart of Paris, a group of young Parisians gathered for a private event: to discover and try on Nicola Indelicato’s new Fall/Winter 26-27 capsule collection.
Aimé Leon Dore has released the second delivery of its Fall/Winter 2026 collection, exploring military and workwear references through a New York lens.
Sangue Novo wrapped its first phase at Lisbon Fashion Week with ten proposals and five finalists moving forward to present new collections at the next edition.
Armen Galyan of Man in Town on leaving fashion styling for independent design, building a proudly Armenian menswear brand, and finding inspiration in the quince.
Better With Age has introduced its FW26 collection, Stolen Art, an expanding and evolved seasonal direction grounded in the brand’s ethos of historical preservation and textile upcycling.
The LOEWE FOUNDATION has announced that the 10th edition of the LOEWE FOUNDATION Craft Prize will take place in Milan during Milan Design Week in 2027.
Photographer Yago Barbosa went backstage at Lisbon Fashion Week to capture our favorite looks from designers Bárbara Atanásio, Çal Pfungst, Duarte Hajime, and Dino Alves.
Director Thomas Nuijten and photographer Dion Bal explore performing masculinities in a new project, featuring Levi Overvest, in an exclusive for Fucking Young!
Luís Carvalho showed Wildflower during ModaLisboa, continuing the universe of his previous collection with a focus on memory and how time reshapes what we remember.
Mestre Studio showed A Boy’s Dreams during ModaLisboa, a collection shaped by how memory softens lived experience into something closer to a dream than a record.
Pigmentarium has introduced Paradiso Extrait, its first extrait de parfum, revisiting a fragrance that has become an essential part of the house’s collection.
Karl Lagerfeld has announced a new footwear collaboration with G.H.Bass, marking the American brand’s 150-year shoemaking heritage and the 90th anniversary of its Weejuns penny loafer.
BYREDO reopens its Madrid boutique with a new visual identity, just as its latest fragrance, Future Memories, asks us to think about the moments we are living now and the memories they might become.
For Issue 28, TRANSPARENCY, we explore the shifting relationship between what is revealed and what remains concealed, questioning ideas of authenticity, identity, vulnerability, and self-expression in an increasingly exposed world.