A slithering snake traces languidly its way on the grass of a garden that seems more an illusive place than a real landscape – the Garden of Ninfa near Rome- populated by an animal omnium-gatherum. Alessandro Michele has accustomed us to his dreamy vision and take on Gucci – halfway a psychotic entrancement induced by MDMA and a pre-raphaelite awesomeness- but, with the Italian-Canadian photographer and director Floria Sigismondi as partner in crime, the result is of unparalleled sophistication. The film captures the gist of the 2017 Cruise Collection thrown at Westminster Abbey last June. Gucci’s sinners float in an Eden of precious silks, exquisite embroideries, elaborate knitting, ruffles and GG supreme canvas.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.