Montblanc and Wes Anderson return with “Let’s Write,” the second chapter of their collaboration, and an ode to writing, imagination, and the journeys words inspire. Set in a surreal world where a bicycle-powered train glides through dreamlike scenery, the short film reunites Rupert Friend, Michael Cera, and Waris Ahluwalia, joined by newcomer Esther McGregor.
True to Anderson’s signature style, the Maison becomes a stage for playful storytelling. Montblanc’s Meisterstück pen and a travel bag share the spotlight with a new writing instrument designed by Anderson himself, each piece a prop in this theater of creativity.
The global campaign expands with visuals by Charlie Gray and features ambassadors like Joey King and Daniel Brühl. At its core, “Let’s Write” is a reminder: every great story starts with a single stroke of ink.
The collection revisits some of the brand’s earliest and most emblematic pieces. It is a tribute to the two pillars of their identity: Exclusive and Inclusive.
Weaving (literally) together activism, design, and queer culture, Grindr partnered with Rainbow Wool to present I Wool Survive on the runway in New York.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
