The SS18 collection by Le Fix, Happy Nothing, is all about the search for what actually makes us happy in our daily life. The things we do often become known by heart, just constant repetitions, without us even recognizing them or thinking much about them. Le Fix aim to pause the hectic city life of fixed routines to reflect on how to find happiness – even in the smallest and most trivial things. This mission led us to the outskirts of Denmark to discover what makes the young generation, the ones located further away from metropolitan life, happy.
Le Fix teamed up with director Ian Isak from Copenhagen based production company Honeytrap Film to document the exploration into the simple, but happy life. Ian grew up in the countryside of Denmark himself and has always been fascinated by the culture that is tuned scooters, techno music and field racing. Ian, with the message of Happy Nothing as his inspiration, set out to portray these folks who us big city people might have trouble understanding. Ian wished to puncture, confirm and nuance the prejudices, which pervade these environments, while creating a visually striking and rousing insight into the lives of a group of young and restless kids.
CREDITS Director: Ian Isak Executive producer: Malene Dyhring Producer: Caroline Steenberg Dam Director of photography: Jacob Møller Editor: Anders Jon Petersen Sound design: Samuel Lehn @ Supersonic Composer: Simon Littauer Grade: Daniel De Vue @ Glassworks 2nd camera operator: Joao Botelho 1st AC: Lars Mortensen 1st AC: Frederik Lillie Rudolph Drone operator: Rasmus Gaardhøje Still photographer: Jesper Palermo Sound recordist: Jens De Place Stunt coordinator: Søren Hvam Special effects: Brian Svensson Graphics: Signe Emma Production company: Honeytrap Film
A special thanks to: All extras Everybody at Le Fix Red Rental Gaffers FilmGear Nordic Effects Cirkel K NCC Roads TITAN Containere A/S Ejendomsselskabet Gl. Køge Landevej ApS & NREP A/S
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
