Following the solid gold pop smash that was their debut 7″ Circles, South Coast soul boys :Kinema: return with their biggest and best song to date, My Beautiful Machines, a joyously upbeat love song to their synthesizers.
A live favourite, the band have been closing their sets with Machines for much of the past 6 months, prompting euphoric stage invasions at venues such as Proud in Camden and Brick Lane’s 93 Feet East.
Showing off the classic pop nous that has already seen the band likened to Phoenix, Hot Chip, Culture Club and even Wham!, My Beautiful Machines comes backed by Heartstrings, another fan favourite that this time celebrates that first heady, brain derailing, feeling of falling in love. Having spent the past six months building up a devoted, high kicking, table dancing following, including a devoted Japanese fan base, My Beautiful Machines sees the band ready to fulfil their potential as one of the UK’s best new bands.
If the original of :Kinema:‘s My Beautiful Machines is straight up classic pop then the remixes courtesy of Sweden’s Drop Out Orchestra, take the track off into disco heaven. Having been blown away by their re-edits of Robyn and Diana Ross, and their dancefloor dominating ‘International Track’ we approached them more in hope and were overjoyed when they agreed to add their live disco stylings to the release.
Still, even so we weren’t prepared for the results when after several sleepless nights in the studio, they delivered a 12 minute live disco version that is unlikely to be bettered this year.
Teasing out Dominic’s vocals, the track builds and builds, going through several major changes, from orchestral swirls and ridiculously funky bass, through to driving percussion and arpeggiated synths, ensuring that even at 12 minutes long, you’ll still be wanting an even longer re-edit. Completing the package Drop Out Orchestra have supplied a stripped down dub, My Beautiful Percussion, that just highlights what an insanely good job they did, reduxing their mix into 6 minutes of taut funky disco destined to rule over discos.
For the first time, the work of more than 60 artists who have lived and created at the TOM House will come together in FXLK PLAY: Mythmaking, Devotion, and Mischief, an exhibition opening September 13, 2025, at Long Hall in West Hollywood’s Plummer Park.
There’s something raw and electric in Last Exit on Bethnal, the new collaborative project between London producer/DJ Hannah Holland and filmmaker/photographer Lydia Garnett.
The Phantom of the Opera has chosen his designer. Nicola Formichetti has been appointed Director of Masks for Masquerade, the new immersive Phantom experience coming to New York.
Kwir Nou Éxist project, a photo installation conceived by model, actress and activist Raya Martigny and her partner Edouard Richard, is now on view until July 25 in the iconic Tuileries Garden in Paris.
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
