Colm Dillane and Kenny Shimm directed this video to showcase the Spring/Summer 2022 collection of KidSuper.
“As the world starts opening up it became apparent that this might be the last virtual Paris Fashion show for a long time. I loved the virtual fashion show setting because it was less about budget and more about ideas, feelings and emotions. When it comes to Fashion Week in Paris if you rent a palace of a building, hire the top models and get all the people to come then it is a success, with virtual money did not buy success and it was a perfect place for the underdog to come out on top. From the stop motion fashion show to our short film we were constantly reinventing what people deemed a fashion show… in my mind the possibilities are endless. You can do anything and film it, wear the clothes, and it can fit the criteria of a virtual fashion show. For this concept, I was brainstorming and asking all my friends what is the one thing you one do if you could do anything? Fashion show budgets are pretty high so the limits are somewhat endless. I kept asking different people and getting different and interesting answers. I realized this was the interesting part of the whole concept. Why not ask people what they want to do before they die and go help them do it. We set up a booth in Washington Square Park and started asking away, 300 people later and we were overwhelmed, excited and had a lot to prepare. It was a crazy undertaking but a beautiful one at that, every person we randomly met on the street ended up being incredible in their own right. What a beautiful video and concept. Thank you all and can’t wait for the next idea.“
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
