Last week, Kiddy Smile released his latest EP “Paris’ Burning Vol.1” and now he is serving us a colorful and funny self-directed music video for his track “Sugar”. Hyperactive, fluorescent and deeply addictive, “Sugar” produced in collaboration with Catz’n’Dogz is a candy-flavored house track with a sticky center and a bubbling beat.
This new EP includes tracks like “The Devil didn’t Make Me Do It” and “Spread It” which came out with a political and powerful music video. Meanwhile this new project, Kiddy will be a member of the jury of Drag Race France (French adaptation of Ru Paul’s Drag Race), available in a couple of days on France TV Slash.
You can discover the producer and activist interview in Fucking Young! DANCE issue available HERE.
Burberry is celebrating its iconic Check scarf with a new portrait series. It features friends of the house, including Olivia Colman, Liu Wen, and Tyson Beckford.
Solomon Fox moves between worlds, Harvard and Hollywood, viral memes and soft bedroom beats, eighty acres of Virginia quiet, and the digital noise of now.
The arrival of Tame Impala’s new album “Deadbeat” is nothing short of a warm welcome back into the universe of creative sonic exploration that the Australian mastermind Kevin Parker has been charting since the project began.
Maison Margiela is entering the world of residential living. The house has launched Maison Margiela Residences, its first project dedicated to creating a living environment.
Marina Abramović’s exhibition at Saatchi Yates in London offers an intimate and fascinating glimpse into the world of one of performance art’s most iconic figures.
Photographer Ángela Ibáñez brings us a selection of the best looks photographed in the streets of Barcelona during 080 Barcelona Fashion, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
