Humberto Leon & Carol Lim, creative directors of KENZO, present “Music Is My Mistress” a film by lauded writer/director Kahlil Joseph. Starring Tracee Ellis Ross, Jesse Williams, Kelsy Lu and Ish, the film is an amalgamation of rhythms, visions and moods that eschews narrative continuity in favor of divergent glimpses into a bigger story.
Kahlil Joseph’s unique brand of filmmaking pushes the form into extreme shifts of registers, code-switching fluidly between several filmic languages. It’s a trailer wrapped in a music video inside a short film. It’s a comedy subverting its own seriousness. It feels vast yet intimate, pensive yet deeply funny, lyrical and blunt, precise and improvised. “Music is my Mistress” is testament to Joseph’s talent for inhabiting multiple realities at once, an argument against separation and compartmentalization.
“With every campaign film we always try to take KENZO to a new place. This is the second time we’ve worked with Kahlil on a short film and with “Music is My Mistress” he evoked another viewpoint on our collections that felt right to us. Visually the movie is incredible and leads us to confirm we were right in trusting our instincts when we asked him to work with us on the project. Having Tracee, Jessie, Lu and Ish also collaborate was amazing. The atmosphere on set was so unique and we think that’s visible in the film. Everyone brought their diverse talents together to create something beautiful.” – said Carol Lim & Humberto Leon
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
