“To grasp the full significance of life is the actor’s duty; to interpret it his problem; and to express it his dedication.”
James, young and lost. In 1955, the emerging actor starred in Kazan’s “East of Eden”. The overwhelming performance in “Rebel Without a Cause” made an icon out of a naïve boy. In 1955, the disillusioned seducer played, in “Giant”, a supporting role, making his final on-screen appearance. After his premature and violent death, he was crowned emblem of a generation. Dean, young and beautiful.
The artist’s innate allure showed through his signature look: white shirt, leather jacket, blue jeans. His aesthetic presence, built around the concepts of “casualness” and “simplicity”, still has a contemporary feel.
Next season is about reinterpreting a key piece: Sandro’s cropped biker jacket speaks the language of minimalism, Saint Laurent’s snake fringed jacket evokes Woodstock vibes, Balmain’s embroidered suede jacket is designed for a stylishly adventurous man. James Dean, young and damned.
On the 60th anniversary of the star’s death, a biopic celebrates his relationship with Dennis Stock, fueling the performer’s lasting fame. “LIFE” portrays a sense of rebellion, burning desire, marvellously excruciating fragility. “LIFE” takes the myth’s tormented gaze back onto the silver screen. “LIFE” gives colour to a faded photograph.
“Being a good actor isn’t easy. Being a man is even harder. I want to be both before I’m done.” J.D.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
