“To grasp the full significance of life is the actor’s duty; to interpret it his problem; and to express it his dedication.”
James, young and lost. In 1955, the emerging actor starred in Kazan’s “East of Eden”. The overwhelming performance in “Rebel Without a Cause” made an icon out of a naïve boy. In 1955, the disillusioned seducer played, in “Giant”, a supporting role, making his final on-screen appearance. After his premature and violent death, he was crowned emblem of a generation. Dean, young and beautiful.
The artist’s innate allure showed through his signature look: white shirt, leather jacket, blue jeans. His aesthetic presence, built around the concepts of “casualness” and “simplicity”, still has a contemporary feel.
Next season is about reinterpreting a key piece: Sandro’s cropped biker jacket speaks the language of minimalism, Saint Laurent’s snake fringed jacket evokes Woodstock vibes, Balmain’s embroidered suede jacket is designed for a stylishly adventurous man. James Dean, young and damned.
On the 60th anniversary of the star’s death, a biopic celebrates his relationship with Dennis Stock, fueling the performer’s lasting fame. “LIFE” portrays a sense of rebellion, burning desire, marvellously excruciating fragility. “LIFE” takes the myth’s tormented gaze back onto the silver screen. “LIFE” gives colour to a faded photograph.
“Being a good actor isn’t easy. Being a man is even harder. I want to be both before I’m done.” J.D.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
