Somewhere, we dance forever.
Somewhere, there’s a never ending juke box.
Somewhere, there’s a dance floor for us only.
I swear, I’ve heard it. I’ve heard the bass under my skin.
Kai-Isaiah Jamal
Today is World Poetry Day, and to celebrate Browns collaborated with poet Kai-Isaiah Jamal for his latest project ‘Somewhere, We Dance Forever’.During a time of uncertainty, Kai’s work celebrates our own humanity and challenges conventions of identity through poetry.
The film, commissioned and directed by London based long-time Browns contributor Emily McDonald, is a series of two poems ’S is for skin (2019)’ and ‘G is for grip (2019)’. Written by Jamal the piece explores the personal experience of finding freedom, empowerment, and vulnerability in the genderless movement of dance as well as examining the nature between movement of the body in private spaces and within the release of comfort.
Inherently black, inherently queer with huge focus on the visibility of trans bodies outside of the framework of violence and pain Jamal says ‘it takes so long to come home to your body for some of us. The moments of euphoric, uncensored and joyous liberation are parts of our narrative that are rarely displayed. The emancipation of forgetting or intentionally resisting anatomical conventions and oppressive conditions aid us in finding ways to celebrate our bodies, in our moments of glory.’
In regards to the collaboration and current climate, Browns explained “We continue to reflect on the current climate we endeavor to support and stand beside our designers, creatives and contributors who make our platform our community. This is at the heart of the Browns ethos and has been for 50 years, and we aim to continue to spotlight these individuals as well as offer our audience connectivity, inspiration, and entertainment. When commissioning the piece, celebrating community and representation was a huge part of McDonald’s vision; the crew and all who took part are some of London’s best and most talented creatives.”
Change isn’t always about moving forward, but sometimes, it’s about holding on. For their Spring/Summer 2026 collection, Milieuschutz, Richert Beil explores exactly that tension.
Inspired by the hidden love stories of novels like Maurice, Swimming in the Dark, and Young Mungo, the collection moves through three emotional stages of queer coming-of-age: concealment, self-acceptance, and the bittersweet weight of memory.
Through its new CGI campaign, “Beyond Real, Beyond Now,” and a community-driven approach, REVERSIBLE is bridging the gap between inspiration and accessibility.
Louis Vuitton’s latest travel campaign takes viewers on a visual journey through China, reimagining travel as an experience rather than just a destination.
Paris Fashion Week witnessed Steven Passaro’s Moonlit Lover Spring/Summer 2026 collection, an exemplar of the aftermath of love encountered after midnight and gone before sunrise.
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.