Through nine seasons in the NBA, and many more formative years in Palmdale, California, Paul George has secured his status as a veteran star. So, it might be strange to imagine George struggling at the bottom – of a filled pool, dumbbells in hand, checking his quickening pulse as he steps further into the deep end.
“As I see myself getting older in this league, the question I ask myself is, ‘How can I become a more efficient athlete?’ I need to perform at the elite level I know I’ve reached, but without wasting excess energy,” says George. “At the end of last season, I knew I had to better control my breathing while I play, so I added underwater walks into my offseason training.”
Beginning with the PG1, evolving into the PG2 and even branching off into the PG 2.5, George’s signature line is, in many ways, a story of that progressive self-awareness and commitment to improvement. The series tells of a refinement that has led to a seasoned sensibility for George, a confidence in who he is and where he’s going as a player.
Here are three veteran principles that PG and Nike Basketball Footwear Designer Tony Hardman followed in creating George’s footwear: Shed What Is Unnecessary, Make Every Step Matter, Remember Where You Came From.
The limited-edition Nike PG3 NASA colorway is available January 26.
There are artists who dress the world — and others who undress it. David Delfín did both. Tomorrow, at Valladolid’s International Film Festival (Seminci), RTVE Play unveils “David Delfín. Muestra tu herida“, a documentary that peels away the myths to… »
With JALEO, presented at 080 Barcelona Fashion, the designer takes a decisive step forward. The collection feels like a homecoming and a declaration at once.
ROSALÍA’s new single, “Berghain,” is the first glimpse of her upcoming album LUX (out on November 7), and it immediately establishes a new scale for her work.
Pull&Bear chose a significant moment to launch its new collaboration. The brand presented its capsule collection with the American streetwear label PLEASURES at the Centre Pompidou in Paris.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
