We’re almost ready for the Sónar Festival but we keep discovering things about his line-up. He’s Roman Hiele (Belgium, 1991) but now living in London, and he’s composer and performer of electronic music. Roman is closely guarded against any kind of conscious or subconscious plagiarism. He seems completely focused on making sure that his creations are his and his alone, reflecting that early Belgian spirit of creative independence as he establishes himself as one of the most resolutely original voices in the electronic underground.
Hiele’s music surfaces in the form of hard to pin point electronica, build on a long time obsession for synthetic sound creation and jazz studies. On stage Hiele plays with expectation, going past what is considered conventional, blending improvisational and classical elements into a no-nonsense personal idiom.
After first bubbling up onto the scene in 2013 with his eponymous debut, Hiele has seen his off-kilter electronics released on the likes of Belgium’s influential Ekster label and the forward leaning aesthetics of YYAA Recordings. There is a restlessness to Hiele’s creations, a distinct avoidance of the tropes that provide the utilitarian bread and butter that keeps the electronic world ticking. In 2016 YYAA Recordings released Hiele’s performance in the Schinkel Pavilion, Berlin 2014. Recently (May 2016) Hiele has released “Ritmische Bezinning”, his third album on Ekster.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
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A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
