Henrik Vibskov Spring/Summer 2013
by Eduardo G.
Words by Didder Rønlund I fell head over heels for all Henrik Vibskov‘s quirks and curious ideas – indeed, for the entire energy and atmosphere of the collection, inside Carlsberg’s large bottling hall. And yet again, I fell for the man himself, and his stone face as he shuffled in, and took his bow. That is, what it is called, when the designers enter the podium, after the finale, and receive their applause. I saw men in many kinds of trousers and even more colours, girls who did not hold back, and everyone wearing the same odd shoes, which probably could achieve some health labelling. Some of Vibskov’s distinctive hats, with a tall, round crown, actually cheered you up. Use them with anything, even with a nice fur coat, if you have one. A special addition to this – plus vests, jackets, backpacks, shirts, dresses and blouses in provocative congestion – was Henrik’s sharp eye for commercial clothing, for stores and target groups, who neither want to own tailor-made suits or ties. You need a formidable talent to contain all that. And Henrik Vibskov has that talent.
BARBARA Í GONGINI Spring/Summer 2013
Samuel Fasse by Romain Sellier
Benzene is a new streetwear brand built on a specific kind of modern contradiction.
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Malte Berglund Adrian at ACE Models captured by the lens of Joey Leo, in exclusive for Fucking Young! Online.
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This is only the brand’s second location worldwide.
Alejandro Carrascosa photographed by Paulino Cobalto and styled by Cala Xiang & Victor von Schwarz, in exclusive for Fucking Young! Online.
The collaboration celebrates the artist’s lasting impact on music and culture.
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The New Zealand collective returns with a record that expands their lush, dreamy world while keeping intimacy at its core.
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The color appears in underwear, ready-to-wear, and simple everyday essentials.
Gonzalo San Román photographed by Alex Kalb and styled by Fet Hilario, in exclusive for Fucking Young! Online.
This year, the fair brings together some 222 exhibitors from 33 countries, including 179 galleries and 43 publishers.
Like the collection, the soundtrack is both strong and fragile.
