Guy Bourdin: In Between
by Eduardo G.








Guy Bourdin, the original bad boy of fashion photography, came to fame in 1955 when on the pages of the French Vogue he juxtaposed the prim haute couture dresses against butchered cow heads. At the time this was far more audacious than the current vapid soft porn of Terry Richardson and Olivier Zahm. Bourdin went on to become one of the most celebrated fashion photographers in the world. The new book, In Between (Steidl, $58), offers an engaging retrospective of his work.
The 272 page tome offers 400 carefully selected photographs that span Bourdin’s oeuvre from 1955 to 1989. The theme of the book is centered on the photographer’s signature achievement – the use of the magazine spread that allowed him to create large, striking images. There are quite a few impressive photos in the book, mostly those of his late work. Curiously enough, the book is not organized in chronological order, which would allow the viewer to see how Bourdin’s work became more daring with time. The most remarkable images are those that bear the photographer’s trademark fascination with red color used in makeup. The red of the lipstick and the nail polish is wooingly deep and the starkness of the photographs is arresting.
Bourdin was most successful where his images were utterly artificial and staged. The more idyllic photos that use nature or children fade in comparison with the gloss and pomp of his obviously theatrical work. Fashion, after all, is theater and Bourdin had a talent for providing the stage
Text: Lizzi Reid
Chic à mort
Tomas Falmer for Attitude
Aniele Stroz’s INSOMNIA collection finds its rhythm in the deep quiet of the night. It draws from those long, awake hours where thought takes over and the world feels different.
Some designs are more than just accessories. They are part of a story. The Saddle bag is one of those icons.
PUMA and New York-based designer Danielle Guizio are back with a new collection for 2025.
Take a look at Who Decides War Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
Nike and Air Afrique, a creative collective from Paris, have created a new shoe. It is called the Air Max RK61.
Salomon’s new Road Trip capsule looks both ways. It draws from the brand’s own history while making sure every detail is suited for the present.
MM6 Maison Margiela has partnered with Agnelle, a French glove maker with a history stretching back to 1937.
COMME des GARÇONS Homme Plus and Nike introduce a new collaborative sneaker, the Air Rejuven8.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Smith will lead the creation of four collections each year, covering men’s shoes, leather goods, and accessories.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Setchu Perfume is a collection of five fragrances, each continuing the brand’s search for balance, joy, and strength.
Deep in the hills of Abruzzo, at a place called Villaggio Cirulli, a simple but powerful idea took shape: no one is just a number.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
FANG NYC made its New York Fashion Week debut with a Spring/Summer 2026 collection that drew a clear line from the past to a specific future.
Valentino Garavani and Vans unveiled the campaign images for its new collaboration.
ECKHAUS LATTA unveiled its Spring/Summer 2026 collection during New York Fashion Week.
Ami Paris has unveiled a new staple for the wardrobe: the Mirage sneaker.
Peter Demas photographed by Chris Fucile, in exclusive for Fucking Young! Online.
In an age of digital noise, there’s something powerful about work made by hand. Artist Sal Salandra understands this.
LeBlancStudios presents its Spring/Summer 2026 collection, “Museum of Common Oddities.”
Drawing from the energy of Tokyo’s streetwear, the collection captures the creative pulse of Shibuya.
Dsquared2 and Ducati have joined forces for the first time. The reason is a machine: the new Ducati XDiavel V4 motorcycle.
A shoe should feel good from the first step. That’s the idea behind Camper’s new unisex sneaker, the Karst 2.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Photographed by Juergen Teller and styled by Jodie Barnes, the campaign features models Alex Consani and Leon Dame.
The message is an invitation. It’s a call to “cum” together, to join what they playfully term the “Carne Cummunity.”
SOLID HOMME applies its own clean, specific point of view to the iconic MA-1 flight jacket from Alpha Industries.
Balenciaga just unveiled a collection of ten fragrances. This launch moves beyond traditional perfumery, built instead on fusion and tension.
Dior has unveiled a new bag for the Winter 2025-2026 collection: the Dior Slider hobo.