GR10K Spring/Summer 2026
by Eduardo G.
GR10K’s Spring/Summer 2026 collection, Cramp’d, doesn’t just reflect modern saturation but leans into it. This is clothing for a world where information, textures, and references collide into one compressed blur. The garments feel like experiments, half-finished but intentional, as if the designer left the seams exposed on purpose.
Zippers sit on top of fabric instead of hidden inside. Sweatshirts come pre-worn, marked by holes and stains. Hoodie panels attach to knitwear; sweater fragments pin onto T-shirts like borrowed armor. Even the shoes look battle-ready, treated like shields rather than accessories. Nothing is pristine, everything feels like a work in progress, a prototype reacting to the chaos of daily life.
The collection turns noise into language. Macro photos of loom threads become distorted data, then morph into embroidered text. Checks peek out from beneath technical fabrics. References pile up: Sigmar Polke’s painterly mess, the raw energy of Japan’s flat-track motorcycle culture, the anarchic spirit of GG Allin, even the utilitarian stiffness of riot gear. These influences don’t just coexist—they crash into each other, reworked through high-tech materials and precise construction.
Check it out below:
Junya Watanabe Man Spring/Summer 2026
OUEST PARIS Spring/Summer 2026
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For Spring/Summer 2026, Ouest Paris dives deeper into its love affair with workwear, this time pulling inspiration from an unexpected place: NASA’s 1960s office culture.
GR10K’s Spring/Summer 2026 collection, Cramp’d, doesn’t just reflect modern saturation but leans into it.
Junya Watanabe Man doesn’t chase trends but circles back to them, turning the past into something quietly surprising.
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