Get ready for one of the most downright-sadistic and warped impersonations of James Franco.
After releasing their debut music video ‘RAGS‘ directed by GORSAD who recently signed Ariel Pink’s ‘Time To Live‘ video, GOTHKING are back with a brand new video for their single ‘JAMES FRANCO’ directed by Brice Krummenacker and Fanny Schlichter. I don’t think even the best scientists could figure out what goes on in the directors’ mind. It shows the beauty in a demented life. Claustrophobic yet anarchic.
Anticipating their self-released debut EP ‘IN GOTH WE TRUST’ to drop by the end of this month, the Paris/London based trio establishes their very indiscriminate approach to music by exploring the boundaries of the genre both sonically and visually. The stylised visuals full of shishas, underground parking, and sneakers features not only several up and coming brands such as Neith Nyer, Token, OBERKAMPF, Vinti Andrews, Pawaka, Diana Law but also more established VANS, ALYX Studio, Lacoste, Adidas, and Nike.
DIRECTED & DOP BY Brice Krummenacker & Fanny Schlichter
PRODUCED BY Andriy Zozulya-Davidov
ART DIRECTION: Brice Krummenacker, Fanny Schlichter & Andriy Zozulya-Davidov
STYLING: Anna Barr
CLOTHES: Neith Nyer, TOKEN, Gola, Vans, ALYX Studio, BOYHOOD, Vinti Andrews, OBERKAMPF, Nike, Lacoste, Adidas, PAWAKA, Diana Law
CAST: Andriy Zozulya-Davidov, Nicolas Demay, Alex Molinier, Luc Bruyere, Liza Ostanina, Jon
K.Harker, Camille Naomi Delfs, Masha Zolina, Romain Lebeau, Clara Francese, Sema-Tawi Smart, Cypriano Masolini.
SPECIAL THANKS: GOTHFAM, Adrien Wend, Jon K. Harker, Le Carmen, La CLEF, Gisèle Lescuyer, Nadège Nez, La Fonderie, BERG France, Tine Kozjak, Stéphanie Veuriot, Autrement PR, Jin Joo Lee, Jesus and James Franco.
Falconry is a study of stillness before impact, of minimal movement creating maximum outcome. The collaboration translates that into form, a line drawn at speed between the two houses.
For a series born out of friendship, stubbornness, and the conviction that stories can be told even when there is no money to tell them with, saying goodbye was never going to be easy.
For her first solo exhibition in Switzerland, and the most expansive European retrospective of her career to date, Cao Fei takes over the Kunstmuseum Basel with Testimonies to the Near Future spanning three decades of work.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
