After consistent efforts to perfect eyewear design, GENTLE MONSTER presents the NANO campaign and collection ‘The Circle of Life’.
“Through a collaboration with visual artist collective AES+F, the art film ‘The Circle of Life’ was created simultaneously as a pursuit of our origins and of our future, where we reach out to fantastical creatures as if for our dreams and where our lives have no beginning or end. GENTLE MONSTER invites you into an imaginarium where surreal creatures and strange structures float in the sky, and where Nano Collection’s bizarre products evoke a rush of emotions.“
For BLUEMARBLE’s Spring/Summer 2026 collection, creative director Anthony Alvarez Graff found inspiration in the Mont Faron téléphérique of Toulon, a cable car bridging mountain and city.
For Spring/Summer 2026, Feng Chen Wang returns to her roots while pushing forward, a collection that feels like a conversation between memory and the present.
On a drowsy summer afternoon, between the pages of untouched books and the hum of cicadas, Sean Suen found inspiration for his Spring/Summer 2026 collection.
Take a look at EGONLAB’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
During Paris Men’s Fashion Week, Christian Louboutin transformed the grand halls of the Hôtel de Crillon into a living showcase for its Sartorial line.
For Spring/Summer 2026, Wales Bonner marks ten years with Jewel, a collection that feels like flipping through a well-loved wardrobe, one where every piece has a story.
With 5th Quarter, Denim Tears turns its lens to basketball’s deeper meaning in Black America, not just as a sport, but as a cultural force, a dream, and sometimes, an unspoken expectation.
Take a look at Études Studio’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Titled “Nothing could have prepared us / Everything could have prepared us”, this retrospective exhibition explores over thirty-five years of artistic practice across various photographic genres.
Hiroaki Sueyasu’s latest collection for KIDILL isn’t just about clothes but also about the people who once lived on the fringes, spinning their own worlds out of obsession and imagination.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
