The GCDS campaign for Spring/Summer 2018 is at once a celebration of all the friends and memes GCDS created during the past seasons, as well as a new landscape to the celebration of the outsiders.
LA-based director and photographer Nadia Lee Cohen is the perfect match with the GCDS world. Ironic and fresh the video campaign for SS18 is the perfect tool to create a splatter momentum where the stars Pamela Anderson dies on screen for the first time, surrounded by the many cameos such as – Brooke Candy, Leo Mandella, Caroline Vreeland, Lily Summer.
Each character represents a vicious of the modern time, taking us to the final act, the video is a statement of how violence should stay only in the movie. The narrative tells about a grotesque place where everyone is fab their own way and the patriarch of the entire group is an old lady with a receding hairline that turns into a murderer when she feels de-throned in her own house.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
