“Close to Positano, there are age-old myths of mermaids and underwater garden worlds. These fables from Southern Italy have influenced my imagination over the years — the Neapolitan sea is, no doubt, a place of endless inspiration. With this collection, I’m letting you dive into the dream with me—and splicing it with a high fashion fantasy,” says Giuliano Calza, Creative Director of GCDS.
As Calza’s fashion journey continues to evolve, the designer has found himself on a proverbial island in the sun, shining with surreal brilliance far beyond the horizon. In this paradise, there’s an element of escapism, and the freedom one might find in getting away from the turmoil of the past eighteen months. Throughout this nautical frontier, Calza’s favorite fashion fixations have become the stylings of a water-world fairytale. They revel in both relaxation and hedonism; they’re a prologue to a bright new future.
To present Spring/Summer 2022—the first collection shown since GCDS sold a majority stake position to the Made in Italy Fund—Calza conceived and directed a short fantasy film. After the success of the Fall/Winter 2021 digital catwalk (which amounted over 1.5 million views), this season marks step two in demonstrating Calza’s fantastical imagination. The film tracks the collection through the oft unusual monotony of day-to-day life, extending across a barren desert. It concludes, however, with the discovery of a new paradise. Against an imaginative aquarium, a symbol of this brave and bright new future, anthropomorphic crossover is possible and mythic beauty suddenly becomes real.
When it comes to creativity, I begin everything from a place of deep resonance,” says Calza. “I take these cues and emotions and power them by seeing optimism and brightness at the end of the tunnel. Living life is all about growth and getting through the tough parts, so, this collection and this film are a representation of that. Of hitting a point of liberty and ecstasy.”
Ann Demeulemeester’s Pre-Spring 2026 collection is about listening. The designer steps back, not to dwell on the past, but to let the house’s own history speak, then moves forward without force.
Pitti Uomo’s 108th edition focused on daring fashion experimentation and creative exploration, showcasing inventiveness characterized by eclecticism in addition to a forward-thinking outlook of all things sartorial.
A$AP Rocky just redefined an icon. In collaboration with Ray-Ban, he’s transformed the classic Wayfarer into something entirely fresh, the Wayfarer Puffer.
The Polimoda Graduate Show 2025 kicked off Pitti Uomo’s 108th edition, presenting twenty collections from emerging designers that prioritized raw creativity over commercial appeal.
Pitti Uomo 108 in collaboration with Japan Fashion Week Organization takes us backstage at the first international runway show for Japanese brand Children of the Discordance.
On a sunny Paris day, we caught up with Damien for a little chat in a park, because talking poetry on a sunny day in Paris on a weekday feels more than right.
We talked with Ecstasya about her hiatus, the struggle of keeping Lisbon’s first queer hardcore night (Maythey) alive, and why the best tracks come from being “sad as fuck.”
Bikkembergs unveiled their latest collab for a new generation of fashion and street culture aficionados at Pitti Uomo 108 with designer Gosha Rubchinskiy reimagining the classic Soccer sneaker.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
