“Close to Positano, there are age-old myths of mermaids and underwater garden worlds. These fables from Southern Italy have influenced my imagination over the years — the Neapolitan sea is, no doubt, a place of endless inspiration. With this collection, I’m letting you dive into the dream with me—and splicing it with a high fashion fantasy,” says Giuliano Calza, Creative Director of GCDS.
As Calza’s fashion journey continues to evolve, the designer has found himself on a proverbial island in the sun, shining with surreal brilliance far beyond the horizon. In this paradise, there’s an element of escapism, and the freedom one might find in getting away from the turmoil of the past eighteen months. Throughout this nautical frontier, Calza’s favorite fashion fixations have become the stylings of a water-world fairytale. They revel in both relaxation and hedonism; they’re a prologue to a bright new future.
To present Spring/Summer 2022—the first collection shown since GCDS sold a majority stake position to the Made in Italy Fund—Calza conceived and directed a short fantasy film. After the success of the Fall/Winter 2021 digital catwalk (which amounted over 1.5 million views), this season marks step two in demonstrating Calza’s fantastical imagination. The film tracks the collection through the oft unusual monotony of day-to-day life, extending across a barren desert. It concludes, however, with the discovery of a new paradise. Against an imaginative aquarium, a symbol of this brave and bright new future, anthropomorphic crossover is possible and mythic beauty suddenly becomes real.
When it comes to creativity, I begin everything from a place of deep resonance,” says Calza. “I take these cues and emotions and power them by seeing optimism and brightness at the end of the tunnel. Living life is all about growth and getting through the tough parts, so, this collection and this film are a representation of that. Of hitting a point of liberty and ecstasy.”
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
