The name of the new clothing line, STUD, refers to an American slang word that means a sexually attractive person. Besides, STUD (from “studying”) is dedicated to studying, exploring yourself and your sexuality. All FROLOV STUD items are identical for both men and women, as is their size chart.
The collection comprises three drops. The first drop is dedicated to shirts. It includes trousers, shirts and even jackets, fully made of shirting fabric. One exception is two models of jeans and shorts where black and white denim fabric is combined with the shirting.
Pre-premiere screening of the video campaign has taken place at the Kyiv International Film Festival Molodist. It was filmed through the brand’s creative director Ivan Frolov’s trip through the United States. As a result of street casting Ivan Frolov met various models in six American states. In conversations and interviews with them the designer has conducted his own research of sexuality and gender identity, which became the basis for the STUD campaign.
Director & DP – Yuriy Dvizhon @dvizhon
Photography – Ivan Frolov @ivfrolov
Creative producer and style – Ivan Frolov @ivfrolov
Screenplay and interview – Ola Zhyzhko @olaazh
Campaign edit – Yura Katynsky @yurakatynsky
Music – Sasha Zlykh, Volodymyr Zabiyaka
Subtitles – Bohdan Zhuk @bohdanzh
Cast:
Julia @dankoiuliia
Noel @actuallynoel
Nash @nashkoshiro
Landria @tsalagifey
Timo @timonunez_official
Malia @_rajeen___
Christopher @christopherkenji
Elizabeth @elizabethmarochok
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
