To introduce Fear of God’s new “Civil Collection”, Jerry Lorenzo worked with director Mike Carson on CIVIL, a film that moves like a quiet statement. It pulls from a time when dressing held meaning, when clothes had to do more than just cover the body and had to carry purpose.
The collection takes inspiration from the Civil Rights Movement, a period when clothing needed to work as hard as the people wearing it. Garments had to hold up through long days, from protests to marches, yet still carry an air of quiet strength. Every choice in how someone dressed was deliberate, a reflection of their resolve.
CIVIL shows this without words. The film focuses on posture, movement, the way people occupy space. There’s power in a steady walk, in standing tall, in the way fabric falls on a frame. As Jerry Lorenzo explains, those clothes had to mirror the fight for dignity, beauty born from self-respect, from belief in something greater.
Mike Carson’s direction lets the silence speak. The film isn’t about grand gestures but the weight of presence. When people move together, unified, that’s where change lives.
Check out below the collection shot by Andre Wagner and Devin Williams:
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
