For Fall 2025, Fear of God has released a short film created in collaboration with the filmmaker Hype Williams. With a soundtrack from Ruff Ryders’ Down Bottom, produced by Swizz Beatz in 1998, the project captures a specific moment where culture, sound, and style meet.
The film features Swizz Beatz, a longtime collaborator of Williams and a member of the Fear of God community. A cast of models wears the Fall 2025 collection, which channels the refined spirit of the nineties. The clothes are defined by the era’s generous proportions and a confident, insouciant ease. This is the same period when Hype Williams released his first feature film and a catalog of music videos that defined the aesthetic of hip-hop. His new work unites both sides of his visual legacy: the crisp, cinematic language of his music videos and the gritty beauty of his features.
Hype Williams describes the collaboration as a merging of two worlds. “What me and Jerry decided was to create this new vibe: Fear of God Essentials meets the Hype Williams aesthetic,” he said. He compares their shared vision, noting that Lorenzo’s taste in clothing is the equivalent of his own taste with cameras.
The result is a reflection of Fear of God Essentials seen through Hype Williams’ iconic lens. It is a celebration of both perspectives, colored by the spirit of the nineties but created for today.
Aniele Stroz’s INSOMNIA collection finds its rhythm in the deep quiet of the night. It draws from those long, awake hours where thought takes over and the world feels different.
Take a look at Who Decides War Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
