The international and interdisciplinary FASHIONCLASH Festival has announced its dates for its 14th Edition taking place in Maastricht from 25 – 27 November 2022. During this three-day hybrid (on- & offline program) festival, a new generation of designers and performing artists from all over the world are given the opportunity to show their work to a broad (inter)national audience. The program with exhibitions, performances, talks, workshops and fashion film screenings, showcases projects that explore, contextualize and celebrate contemporary fashion culture.
ASHIONCLASH Festival is all about discovering, stimulating and co-shaping current developments in fashion and opening up these developments to a wide audience. The festival focus is on developing and presenting a cross-border program that demonstrates that fashion is more than just clothing and that it can be a new world in which all kinds of different disciplines and voices merge into a new narrative. Participants of the festival belong to a generation of designers and artists who explore and question the boundaries of their discipline. With their works they move between the transdisciplinary domains of fashion, social design and visual arts.
The program is a curated selection from the submitted proposals through Open Call and from the projects initiated by FASHIONCLASH itself that are being developed in co-production with other organizations.
OPEN CALL for entries is now online and open for everyone!
FASHIONCLASH Festival 2022 will consist of 3 main program parts which will all be open to the public and additionally will be filmed and broadcasted online as part of the digital program of the festival.
– Exhibition (New Fashion Narratives)
– Fashion Film & Video (including Award for best film)
– Performance (The Clash House – performative presentation with coaching trajectory)
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
