For Spring 2017, Études has invited artist Colin Snapp to conceptualize and produce a short film to announce the arrival of their latest collection.
The brand’s tenth collection bases itself around the desire to retreat into the undefined landscape, allowing time for exploration, and discovering the place where the urban and rural coexist peacefully: where the sidewalk meets the grass.
Similar parallels can be observed in Snapp’s work. Often addressing the notion of tourism and the documentation of traveling as act, Colin manipulates the viewer’s perspective through a thoughtful conceptual process. Using glass lens filters and a practice known as re-photography, Snapp (who has previously collaborated on two publications with Études Books) creates a series of dualistic imagery that is both simultaneously static and in motion.
In his evocative short film, shot on location in Los Angeles and featuring an original soundtrack by Jean Benoît Dunckel (member of the French duo Air) the artist creates a half-waking world of uncertainties and sharp contrasts. Snapp’s piece serves to echo the Spring collection’s central ethos of exploration and the notion of defining a “new geography.”
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
