Considered by many as the king of Italian fashion, Giorgio Armani, at 90 years of age and with a career in the industry of more than 50 years, continues to demonstrate why he is worthy of such a coveted title since few like him manage to continue offering his clientele truly beautiful and elegant proposals, as well as embellishing the figure of men.
The verb embellish is closely linked to seduce and, although it may sound superficial and naturalness is just as sexy, it is true that to develop this art, one tends to enhance one’s beauty or what one considers to be one’s strong point. For some men that strong point is related in a certain way to the way they dress and that is where the Piacenza-born designer comes into action, since to achieve that goal he has designed more than 100 looks made with rich, top-quality fabrics, seen on the shiny black catwalk located inside a room of the Armani Teatro, the location where the last Emporio Armani show took place.
In the hundred or so looks, tailoring was particularly predominant, this time presented in a more relaxed way – although the occasional tie or tie-simulating item appears from time to time – and the color palette chosen, inspired by certain nocturnal settings and composed of warm, dense tones such as tobacco, cognac or chocolate. These tones make the clothes even more appealing to wear to seduce; and if to such perfectly tailored suits with defined lapels and shoulders and wide, high-waisted trousers softened by deep pleats – because we know what they say about Armani’s suits that they are the best – you add a long, bonded fur coat among others, a long fur stole, or thick-soled shoes, the result is even better.
For even more special occasions, the color black, embroidery and brocade, and glitter, easily seen in jumpers knitted with metallic threads, are introduced.
Are you planning to seduce someone? Then dress up in the Emporio Armani Fall/Winter 2025 collection. Have a look at the collection below:
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
