For Spring/Summer 2022, EGONLAB returns with a collection called “Dynasty”, delivering a positive message: “Love after chaos”. This season, it is the figure of Lady Godiva that inspired Florentin Glémarec and Kévin Nompeix. Legend has it that at the beginning of the year 1000, this early activist would have crossed the streets of Coventry naked on a horse, to convince her husband, the Earl of Chester, to reduce the taxes levied on the people to finance his military campaigns. This emancipatory figure, propelled the muse of the collection, reflects a fashion that federates and creates links. Open to the world, the EGONLAB “Dynasty” defends all points of view and dresses all bodies.
This collection is also an opportunity for the duo to unveil their “Heritage” project, which aims to highlight artisans living in Paris or on the outskirts. In a world where immediacy is king, the two designers strive to defend traditional know-how, sometimes in the process of disappearing: hand-made guipure, beaded embroidery, jewelry fashioned by blacksmiths… Creating bridges between past and future, craftsmanship and innovation; EGONLAB is committed to the preservation of an exceptional, but often too forgotten, heritage.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.
Carhartt WIP’s Fall 2025 campaign feels like a quiet shift. It’s not about grand statements or dramatic scenes. Instead, it turns its attention to the spaces in between: the small, ordinary moments that make up a day.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
