Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes. The setting, a velvet-lined room modeled after Berlin’s Gemäldegalerie, hints at the collection’s quiet rebellion: refinement without excess, tradition rewritten with a light touch.

Two Jean Siméon Chardin paintings set the tone. In an era of Baroque spectacle, Chardin found beauty in the everyday. That same spirit runs through the clothes featuring a mix of archival reverence and playful reinvention. Tailoring is reconstructed with precision: Bar jackets, tailcoats, and 18th-century waistcoats reappear alongside Donegal tweeds and regimental neckties.

Roses and rococo-inspired Diorette charms nod to Monsieur Dior’s love of ornate romance, while British influences linger in the details. Dresses like the Delft, Caprice, and La Cigale are twisted into modernity, their silhouettes familiar but fresh. Even accessories speak in dual timelines: the Book Tote gets covers of Les Fleurs du Mal and In Cold Blood, while a crossbody bag references Dracula. The Lady Dior, reimagined by Sheila Hicks, wears a fringe of linen ponytails, art and craft in one gesture.

Anderson treats clothes as tools for becoming: the aristocrat, the dandy, the quiet observer. Youthful energy meets historical weight, not in conflict but in collusion. Dior’s legacy is alive, breathless, ready for another run through the museum.

Check out below the collection presented during Paris Fashion Week: