References to rave parties, to Gabber and Candy-Boys like so many glimpses of teenage years.
A jacket fitted close to the body, hand-stitching worked inside-out, leather gloves in homage to Monsieur Dior.
“Among the multiple and sometimes paradoxical inspirations in my latest collection, the gabber scene is one of the subcultures that I wanted to highlight. It’s a hardcore culture that is built around techno music and dancing at rave parties. It is a highly physical dance, involving very rapid responses to saturated bass rhythms. The lower half of the body is moving, sometimes quite frenetically, while the top half remains more controlled, echoing those looks in the collection in which loose pants are worn with more fitted jackets.” – Kris van Assche
There are artists who dress the world — and others who undress it. David Delfín did both. Tomorrow, at Valladolid’s International Film Festival (Seminci), RTVE Play unveils “David Delfín. Muestra tu herida“, a documentary that peels away the myths to… »
With JALEO, presented at 080 Barcelona Fashion, the designer takes a decisive step forward. The collection feels like a homecoming and a declaration at once.
ROSALÍA’s new single, “Berghain,” is the first glimpse of her upcoming album LUX (out on November 7), and it immediately establishes a new scale for her work.
Pull&Bear chose a significant moment to launch its new collaboration. The brand presented its capsule collection with the American streetwear label PLEASURES at the Centre Pompidou in Paris.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
