References to rave parties, to Gabber and Candy-Boys like so many glimpses of teenage years.
A jacket fitted close to the body, hand-stitching worked inside-out, leather gloves in homage to Monsieur Dior.
“Among the multiple and sometimes paradoxical inspirations in my latest collection, the gabber scene is one of the subcultures that I wanted to highlight. It’s a hardcore culture that is built around techno music and dancing at rave parties. It is a highly physical dance, involving very rapid responses to saturated bass rhythms. The lower half of the body is moving, sometimes quite frenetically, while the top half remains more controlled, echoing those looks in the collection in which loose pants are worn with more fitted jackets.” – Kris van Assche
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
