Set in Milan and directed by Miha Kacic, the Dima Leu fashion film ANDANTE takes its name from the SS22 collection and represents a reflection by the designer on the time sickness. ANDANTE is a musical term that denotes a slow speed at which a piece of music should be played. The designer chooses “Winter’’ by Antonio Vivaldi as film soundtrack and decelerates it from an allegro to an andante tempo. The decelerating time becomes thus the main theme in the video which is conceptually made with a combination of a slowed down soundtrack and a video footage with slow actions in real time.
The designer wants to take the viewer into a slower dimension by considering it as the only perspective from which to perceive the true rhythm at which we are used to live. The video shows as well a series of symbols that allude to a slow rhythm of time and to a taste of the intentionally living, including snails becoming protagonists in the central part of the video.
“Slowing down means to me, taking some time to breathe, some time to look where I’m going and to figure out where I want to go ” says the designer. “We have been used to always rushing, having no time to devote to what we really feel. We have to slow down, I don’t think there is any other choice.”
For BLUEMARBLE’s Spring/Summer 2026 collection, creative director Anthony Alvarez Graff found inspiration in the Mont Faron téléphérique of Toulon, a cable car bridging mountain and city.
For Spring/Summer 2026, Feng Chen Wang returns to her roots while pushing forward, a collection that feels like a conversation between memory and the present.
On a drowsy summer afternoon, between the pages of untouched books and the hum of cicadas, Sean Suen found inspiration for his Spring/Summer 2026 collection.
Take a look at EGONLAB’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
During Paris Men’s Fashion Week, Christian Louboutin transformed the grand halls of the Hôtel de Crillon into a living showcase for its Sartorial line.
For Spring/Summer 2026, Wales Bonner marks ten years with Jewel, a collection that feels like flipping through a well-loved wardrobe, one where every piece has a story.
With 5th Quarter, Denim Tears turns its lens to basketball’s deeper meaning in Black America, not just as a sport, but as a cultural force, a dream, and sometimes, an unspoken expectation.
Take a look at Études Studio’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Titled “Nothing could have prepared us / Everything could have prepared us”, this retrospective exhibition explores over thirty-five years of artistic practice across various photographic genres.
Hiroaki Sueyasu’s latest collection for KIDILL isn’t just about clothes but also about the people who once lived on the fringes, spinning their own worlds out of obsession and imagination.
Montblanc and Wes Anderson return with “Let’s Write,” the second chapter of their collaboration, and an ode to writing, imagination, and the journeys words inspire.
For their SS26 collection, presented at Paris’ Palais de Tokyo, creative directors Aurélien Arbet and Jérémie Egry continue their quiet conversation between art and utility.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
