Converse and JW Anderson exist at opposite ends of the fashion spectrum. The space between JW Anderson’s forward-thinking design and the iconic, made-for-everyone Converse sneaker allows the two to celebrate and explore the provocative, daring space of their opposing ideas and complementary ideals. For instance, the unisex collection intentionally dances across the lines of what’s traditionally considered masculine and feminine through bold colors, glam glitter and elevated details across classic Converse styles.
“GLITTER_GUTTER stemmed from the idea of breaking iconic silhouettes with something unexpected,” says designer Jonathan Anderson. “Taking the glitter out of context and wearing it with a pair of washed chinos, for example.”
To create this tension where past and future meet, Anderson brought pop art contrast, vintage-inspired details and unexpected materials – along with his personal love for Converse — to the collection’s three attention-getting silhouettes. As a key piece of Anderson’s personal look, it was only fitting that the Chuck ’70 became the collection’s core silhouette. Additional silhouettes include the Thunderbolt and the Ballet.
The first drop from the highly anticipated Converse x JW Anderson collaboration, “GLITTER_GUTTER,” hits stores globally December 14.
The rhythm of Notting Hill Carnival is built on more than music. It is built on community, pride, and a shared heritage. This year, that rhythm had a new, powerful heartbeat: the partnership of PUMA and the… »
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“Free Your Feet” is presented as an invitation. It is an invitation to feel the ground again, to reconnect with our bodies, and to make choices that consider our own health and the health of the planet.
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In fashion, a good collaboration is more than just a product drop. It’s a conversation. The new capsule from Zadig & Voltaire and EGONLAB is exactly that.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.