Borque makes his comeback with “Cuando Vuelvas,” a track that blends electronic sophistication with his signature pop hooks. Produced by caracazador, the song explores the sting of ghosting, that moment when you finally say “enough,” even if the memory lingers. It’s a melody that pulls you in, then leaves you hanging, mirroring the push-and-pull of a fading romance.
The music video, co-directed by Rafa Martínez Calle and Felipe Olaya Meza, started as a playful concept (a “TikTok haul” of vintage phones) but evolved into something deeper. Borque plays a man waiting endlessly for a call that never comes, surrounded by 32 salvaged telephones and the glow of strobe lights. The empty bed says it all: ghosting hurts.
This release marks Borque’s first since his debut album, proving that second chances can bring something fresh. His self-described “easy pop written by a complicated person” strikes a balance between danceable beats and raw emotion, music for heartbreak that still makes you move.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
TATRAS presents a new project titled “Layers of Japanese Craft.” It is a limited-edition capsule collection created with the traditional lacquer artisans of Wajima city.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
