The Board of Directors of Pitti Immagine decides to postpone the physical fairs to January 2021
by Adriano Batista
Yesterday the Board of Directors of Pitti Immagine was held by video conference, chaired by Claudio Marenzi, mainly dedicated to assessing the progress of participation at the physical fairs scheduled for next September (Pitti Uomo, Bimbo, Filati, Fragranze, and Super).
Following a lengthy discussion, based on the information provided by the CEO, Raffaello Napoleone, and by the General Manager, Agostino Poletto, the Board acknowledged the insufficient number of confirmations of attendance as well as the ongoing state of difficulty of the companies and decided to postpone the physical fairs until January 2021. Encouraged by the work and investment carried out in order to launch the Pitti Connect platform, as well as the approval and interest that this initiative is registering among members of the trade, it gave us a mandate to concentrate all our energy this summer onto the entirely digital version of the above fairs which will be open to all exhibitors.
“This was a very painful yet inevitable decision,” says Claudio Marenzi, President of Pitti Immagine “dictated by the conditions of operational and economic difficulty in which the majority of the manufacturing companies and retailers – shops, department stores- find themselves and by the uncertainties that continue to persist regarding the modalities of traveling from one country to another, including quarantine restrictions, which have obviously heavily conditioned the plans of international buyers. I should add that the prolonged absence of any certainties regarding non-repayable government and European economic support for taking part in the fairs, greatly affected the exhibitors’ decisions. The very recent approval of the Italian decree referred to the 394/81 fund is a good sign at last, even though the effects will mostly be felt from next fall. From our side, we deeply believed in and are fully convinced about maintaining the role of the Pitti fairs as an essential instrument of commercial promotion at the service of Italian fashion and, in particular, of the fabric of preeminent small and medium sized businesses, together with the artisan companies that we have always represented. Therefore the regret that this situation signifies for the industrial fashion system is combined with the disappointment of not being able to contribute, through the attraction capacity of the fairs, already this summer, to the relaunch of Florence which, in the meantime, despite all the many difficulties, is responding with strength and solidarity in order to build the foundations for a safe new start”.
Learn more about PITTI CONNECT here: www.fuckingyoung.es/pitti-immagine-presents-pitti-connect
A Conversation on the Politics of Fashion and Black Lives from Both Sides of the Atlantic
PANGAIA To Launch Collection in Honour Our “Big Blue”
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
Reebok and multitalented artist Tobe Nwigwe are back with the second chapter of their collaborative “Reebok x Chukwu” partnership.
Rihanna’s FENTY x PUMA collaboration returns with a fresh take on football-inspired fashion.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
ERL marks its fifth anniversary with a new version of its signature skate shoe, the Electric Blue Vamp.
Skepta and PUMA are back with a tight, all-black collection that strips streetwear down to its essentials.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Leandro da Silva photographed by Emil Huseynzade and styled by Vladimir Frol de Moura, in exclusive for Fucking Young! Online.
PUMA is re-releasing its special 2003 H-Street sneakers in two Jamaica-inspired colorways, just in time for Notting Hill Carnival.
Delvinas and Antón lensed by Willy Villacorta and styled by María Hernandez, in exclusive for Fucking Young! Online.
Viegas is someone who grew up immersed in music and community, with a desire to create spaces where people feel seen and free.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
Stüssy keeps growing, and its newest store in Biarritz, France, is proof.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Nicolas Benitez at New Icon photographed by Diego Bigolin and styled by Daniel Zazueta, in exclusive for Fucking Young! Online.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Salomon has teamed up with JJJJound to reimagine the XT-6 in two very different ways.
The fragrance captures the fleeting bloom of the osmanthus flower, a winter surprise in Kyoto.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
The brand’s… »
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
SAVVA at Angels Project photographed and styled by Alberto Saguar, in exclusive for Fucking Young! Online.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Rick Owens’s first major retrospective in Paris, Temple of Love, transforms the Palais Galliera into a ritualistic sanctuary.
Alex Brendon photographed by Virginia Navarro and styled by Tomás Jaramillo, in exclusive for Fucking Young! Online.
At Selfridges’ Summer of Sound: Music Talks, Allie X and Charles Jeffrey sat down to discuss how music and fashion shape an artist’s visual identity.
Simon Bresky and Brayden Dutremble photographed by Pasquale Vino and styled by Andrea Bassi, in exclusive for Fucking Young! Online.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
