In the haze between night and remembrance, BIBENCIA (born in Valencia, yet echoing Madrid’s restless pulse) steps forward with Colette — a collection that dresses light as defense, whispers stories in shimmer. The campaign photographed by Jordi Terry feels like a nocturne in fabric: shadows bending, sequins trembling, voices half-heard.

Roberto Montes tells us BIBENCIA began as refuge, as notebook scribbles in confinement. Over time it became more: a collective voice, a studio where memory and desire meet in cut, drape, and thread. Colette is the first time that origin story comes alive — in taut corsetry, in whispery tulle, in the pull between concealment and reveal.

This is not nostalgia resurrected. It is a reanimated archive: the veiled divas of cabaret, the femme fatales of noir, the performers whose glamour was a rebellion. BIBENCIA revives them not as relics but as companions in darkness.