A director steps behind the camera. A musician takes the wheel. A car drives itself down a famous road. This is how Anthony Vaccarello, for the first time, directs a film.
The project is “Blurry Moon,” a music video co-produced by Saint Laurent and Because Music. It is written and performed by Charlotte Gainsbourg, with production by SebastiAn. But the vision belongs to Vaccarello. It is his latest step in blending different art forms into the world of Saint Laurent, which has a history of moving into cinema.
The setting is Los Angeles, on Mulholland Drive. The atmosphere is both intimate and large-scale, pulling inspiration from the moods of David Lynch and composer Angelo Badalamenti. It feels like an off-kilter tribute to Hollywood’s daydreams.
Charlotte Gainsbourg is at the wheel, lost in thought. Slowly, the car begins to drive itself, guided by something unseen, a quiet metaphor for absence and memory. What is a simple car ride becomes, through Vaccarello’s lens, a cinematic moment. It is an extended sequence that captures a feeling of drifting, of being untethered from the usual rules of the road.
LOEWE and On present their Fall/Winter 2025 collaboration, featuring the first model they have designed together: the limited-edition Cloudsolo sneaker.
A$AP Rocky and PUMA have released their latest and largest collection. The new line finds its inspiration in the Harlem jazz renaissance, mixing that era’s energy with modern streetwear.
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
