A director steps behind the camera. A musician takes the wheel. A car drives itself down a famous road. This is how Anthony Vaccarello, for the first time, directs a film.
The project is “Blurry Moon,” a music video co-produced by Saint Laurent and Because Music. It is written and performed by Charlotte Gainsbourg, with production by SebastiAn. But the vision belongs to Vaccarello. It is his latest step in blending different art forms into the world of Saint Laurent, which has a history of moving into cinema.
The setting is Los Angeles, on Mulholland Drive. The atmosphere is both intimate and large-scale, pulling inspiration from the moods of David Lynch and composer Angelo Badalamenti. It feels like an off-kilter tribute to Hollywood’s daydreams.
Charlotte Gainsbourg is at the wheel, lost in thought. Slowly, the car begins to drive itself, guided by something unseen, a quiet metaphor for absence and memory. What is a simple car ride becomes, through Vaccarello’s lens, a cinematic moment. It is an extended sequence that captures a feeling of drifting, of being untethered from the usual rules of the road.
There are artists who dress the world — and others who undress it. David Delfín did both. Tomorrow, at Valladolid’s International Film Festival (Seminci), RTVE Play unveils “David Delfín. Muestra tu herida“, a documentary that peels away the myths to… »
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
