A director steps behind the camera. A musician takes the wheel. A car drives itself down a famous road. This is how Anthony Vaccarello, for the first time, directs a film.
The project is “Blurry Moon,” a music video co-produced by Saint Laurent and Because Music. It is written and performed by Charlotte Gainsbourg, with production by SebastiAn. But the vision belongs to Vaccarello. It is his latest step in blending different art forms into the world of Saint Laurent, which has a history of moving into cinema.
The setting is Los Angeles, on Mulholland Drive. The atmosphere is both intimate and large-scale, pulling inspiration from the moods of David Lynch and composer Angelo Badalamenti. It feels like an off-kilter tribute to Hollywood’s daydreams.
Charlotte Gainsbourg is at the wheel, lost in thought. Slowly, the car begins to drive itself, guided by something unseen, a quiet metaphor for absence and memory. What is a simple car ride becomes, through Vaccarello’s lens, a cinematic moment. It is an extended sequence that captures a feeling of drifting, of being untethered from the usual rules of the road.
The collection revisits some of the brand’s earliest and most emblematic pieces. It is a tribute to the two pillars of their identity: Exclusive and Inclusive.
Weaving (literally) together activism, design, and queer culture, Grindr partnered with Rainbow Wool to present I Wool Survive on the runway in New York.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
