Anouz, a Seoul-based brand, has launched its new collection inspired by the 80s cult classic movie “Withnail and I”. The movie follows the misadventures of two struggling actors, Withnail and Marwood, who escape from their dismal life in north London to spend a holiday at their eccentric Uncle Monty’s cottage in the countryside. There, they encounter various challenges and culture shocks that test their friendship and their sense of self.
The movie is a comedy that mixes absurd humor with witty dialogue and visual gags. The main characters are portrayed as irresponsible and immature, but also as dreamers who try to find their own way in the world. The movie also satirizes many aspects of modern society, such as consumerism, classism, and urban alienation. It uses a vivid and colorful style to create a contrast between the grotesque and the nostalgic, and to highlight the gap between reality and fantasy.
Anouz’s collection aims to capture the essence of the movie and its characters and to explore the idea of language as a metaphor for social phenomena. The collection features items that reflect the style and personality of Withnail and Marwood, such as coats, sweaters, shirts, pants, and accessories. The collection also uses patterns, prints, and colors that evoke the mood and the setting of the movie, such as plaid, floral, and earth tones. It is designed to appeal to those who appreciate the movie’s humor and message, and who want to express their individuality and creativity.
Falconry is a study of stillness before impact, of minimal movement creating maximum outcome. The collaboration translates that into form, a line drawn at speed between the two houses.
For a series born out of friendship, stubbornness, and the conviction that stories can be told even when there is no money to tell them with, saying goodbye was never going to be easy.
For her first solo exhibition in Switzerland, and the most expansive European retrospective of her career to date, Cao Fei takes over the Kunstmuseum Basel with Testimonies to the Near Future spanning three decades of work.
Levi’s has released its Pride 2026 collection, titled “Together, We Ride,” drawing from the history of queer motorcycle clubs and the riders who built spaces of belonging on the road.
In this exclusive interview, Woodkid reflects on his personal journey as an openly gay artist, the evolution of queer representation in music, the challenges that remain, and why gatherings such as Le Fier Gala are more necessary than ever.
On the occasion of Spain’s largest photography festival, PHotoESPAÑA, LOEWE FOUNDATION is presenting Bunny, a solo exhibition by Talia Chetrit and curated by Stella Bottai.
The Ronaldinho x DITA collection merges the Brazilian icon signature flair with the precision engineering that has defined the Japanese-crafted eyewear brand for more than three decades.
Opening at the Jeu de Paume in Paris on June 12, Fragile Beauty brings together photographs from the extraordinary personal collection of Sir Elton John and David Furnish.
Alongside the trunk, Louis Vuitton is launching a new Monaco City Guide and decorating the windows of its Monaco store with a design that pulls from the colours of the Grand Prix.
Stone Island and New Balance have revealed the full Summer 2026 capsule, adding two football boot models to the on-pitch offering alongside the previously introduced kit, apparel, and accessories.
Saint Laurent Babylone presents Daydreaming of him, a photography exhibition by French-Australian photographer Christopher Barraja, curated by Anthony Vaccarello.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
