17-year-old rising star Alfie Templeman has shared the brilliant 8-bit style video for ‘Things I Thought Were Mine’, one of several stellar tracks on his brand new EP Happiness In Liquid Form – out now via Chess Club Records. Speaking about the video, which was directed by Katia Kush and produced by Mike Downs and Electric Light Studios, Templeman said: “Huge pro-gamer move. This one for people who like Mario! The song itself kinda sounds like the Wii tune so it’d be wrong not to have a video based on a Nintendo game. It’s-a-me Alfie Templeman!”
Happiness in Liquid Form EP just dropped. What kind of happiness are we talking about here, alcohol or acid?
Hell yeah! We’re talking about orange juice, no alcohol necessary baby. Orange juice is severely underrated.
What were your main musical influences on Obvious Guy? Couldn’t stop thinking about MGMT and Chic for some reason, are you a fan?
Yes, I love both MGMT and Chic. Defo Chic for this one, I think the MGMT charm just somehow slides into all my tracks. Know about 3 songs but always get compared to them!
Grateful Dead track everyone should listen to?
Well, I’m a huge deadhead so this is gonna get lengthy. ‘Terrapin Station’ the track is a real smooth listen, but one of my favorite songs ever made is ‘Dark Star’. It’s really good no matter how you’re listening to it if ya get me.
What should listeners expect from your brand new EP?
I think the songs are pretty different which is sweet. I don’t put out records unless that is the case. It’s just a cool lil collection of toooonz that I made in the last year, so hopefully, you enjoy them!
Besides Supreme what other brands you follow/appreciate?
I wear anything. PHUG is really awesome, so is Teddy Fresh and Cool Shirtz. I also have a habit of wearing plain white t-shirts cause why not.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
