Después de enseñaros hace unos días la nueva campaña de adidas Originals EQT con el fotógrafo alemán Juergen Teller en las calles de Berlin, hoy os enseñamos un cortometraje documental llamado “Only the Essentials” que documenta el trasfondo, la evolución y el legado de la icónica línea de adidas bajo el lema “Everything that is essential. Nothing that is not”.
Un short film que muestra de dónde viene y hacia dónde va la nueva historia de EQT, explorando los componentes y circunstancias que llevaron a la concepción de esta línea. Esa imperiosa necesidad de encontrar una nueva dirección, la sobresaturación de un estilo dentro de la industria del calzado deportivo hasta llegar a ese espíritu de liberación que repercutió en toda Alemania a raíz de la caída del muro de Berlin.
Una colección que 24 años después, vuelve a convertirse en todo un referente.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
