ADAM JONES 2025 Collection
by Adriano Batista
The ADAM JONES 2025 Collection is deeply personal, drawing inspiration from memories of growing up in rural Wales during the 1990s, a time that felt like the 1970s due to the economic stagnation left by the closure of the mines. This collection is a nostalgic journey, reflecting the unchanged homes, streets, shops, and pubs of that era. It captures the essence of a simpler, more optimistic time, influenced by the cultural and social atmosphere of the 1970s.
The designs are simple and wearable, letting the colors and materials tell the story. The collection features woven stripe skirt suits made from blankets, reminiscent of retro bus seats from school trips. Football scarves from rival clubs are reimagined into jumpers and maxi dresses, blending rivalry into harmony. The football jersey is reworked with lace and silk ribbons, challenging traditional masculine aesthetics and eroticizing the image of the football fan or player.
Transportation plays a significant role in the collection, reflecting the designer’s reliance on public transport. The iconic moquette pattern from London’s District Line and Routemaster buses, designed by Jacqueline Groag, appears on mohair jumpers and tank top sets. Beach towels from Deptford Market are transformed into tank tops and skirts, depicting exotic sunset scenes reminiscent of Del Boy’s Peckham flat in Only Fools and Horses. Camouflage, a recurring theme in the collection, is used as a neutral, inspired by Rodney’s ex-army jacket and the designer’s own love for the pattern.
The collection also includes playful elements, such as stripe jumpers that resemble the Bash Street Kids from the Beano comic and the return of the kitsch Dogs Playing Pool print on skirts and dresses. Bar towels from pubs are patchworked into distressed knitwear, continuing the theme of repurposing everyday items into fashion. The styling nods to Frank Spencer from Some Mothers Do ’Ave ’Em, with lemon shirts and white socks completing the look.
Check it out below:





















METAMORPHOSIS: Celebrating 35 Editions of 080 Barcelona Fashion
Not Your Business
Zach Delf photographed by Sanem Ozman and styled by Talia Voon, in exclusive for Fucking Young! Online.
For its Spring/Summer 2026 collection, Rhude explores the idea of the Renaissance Man.
Trashy Clothing’s Spring/Summer 2026 collection is called “Bikini Diplomacy.” It begins with a feeling of déjà vu.
Sandro Vepkhvadze photographed and styled by Beka Gulva, in exclusive for Fucking Young! Online.
Duran Lantink’s first collection for Jean Paul Gaultier is called “JUNIOR.”
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Lacoste’s Spring/Summer 2026 collection, The Locker Room, shows us the moment when each player steps into their purpose.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
We talked with HOLD NYC about how Hustlers redefines what it means to dress and to hustle today.
BOSS, in collaboration with the Aston Martin Aramco Formula One Team, is offering a new way to experience racing.
For her first-ever trainer collaboration, London-based designer Priya Ahluwalia has partnered with PUMA to reconsider the iconic Suede.
Photographer Angelo Pennetta captured DiMarco in the streets and small shops of the 11th arrondissement.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
Kyle Ponte captured by the lens of Dylan Perlot and styled by Dina Vibes, in exclusive for Fucking Young! Online.
“Paul Smith Loves Barbour” offers twenty-three reimagined classics. It includes iconic coats, knitwear, and accessories.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Luxury house TOM FORD, creatively directed by Haider Ackermann, presented its Spring/Summer 2026 collection at Paris Fashion Week.
For its Spring/Summer 2026 collection, Casablanca finds its rhythm in house music.
Eli Tuia, Santan and Tyler Matthews at People Agency shot by Abhishek Gambhir and styled by Coco Poco Loco, in exclusive for Fucking Young! Online.
Magma’s third edition is called “Archive of the Future.” It brings together twenty-five artists, writers, and composers.
For its ninth collection, Fear of God looks to baseball. This is not just a theme, but a core part of the brand’s vision.
For its Spring/Summer 2026 collection, KSENIASCHNAIDER makes its London Fashion Week debut.
Hugo Gonzalez, Sebastián Terranova, Miquel Villena and Nil Frago shot by Carlos Venegas and styled by Magda Rodriguez, in exclusive for Fucking Young! Online.
This season, Mr P. is telling a story with dogs. Their new campaign, “Man’s Best Friend,” focuses on four creative men and their pets.
Camper has reopened its main store in Barcelona. Located in the Eixample district, the space was redesigned by local designer Max Enrich.
BERSHKA and RAL7000Studio have released the second part of their collaborative project, OUT OF CORE.